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Roman Europe
Ancient Roman Puzzle
From BBC Radio 4's Rebuilding Rome by
Vanessa Collingridge, 26 July 2005
For more than 500 years scholars have been wrestling with an ancient
Roman puzzle that would test even the most cunning of quiz-masters.
How do you put together a giant stone jigsaw when 80% of the pieces
are missing and you have even lost the lid?
Now with a joint Italian-US team on the case using a hi-tech approach
the answer might finally be within reach.
The Forma Urbis, or Severan Marble Plan, is a giant map of the city of
Rome constructed in around AD 200 by the Emperor Septimus Severus.
It was fixed onto the wall of the Templum Pacis (Temple of Peace) in
the heart of the city - a massive display symbolising both the greatness
of the city, and the emperor's power to know its every nook and cranny.
But with the decline of the empire from the fourth Century, the vast
marble map - measuring 18m by 13m (59 feet by 43 feet) and intricately
carved onto 250 separate slabs - was prised off the wall.
The building stones were stolen, crushed into cement or merely slid
down off the wall to lie buried in the gardens below for the next 1,000
years.
Historical challenge
The rediscovery of some of the pieces during the Renaissance ignited
an interest in reconstructing the map that has bewitched scholars ever
since.
Now scientists at America's Stanford University have joined Italian
archaeologists in the capital's Museum of Roman Civilisation with a
multi-disciplinary and hi-tech approach to solving the ancient riddle.
The Stanford team has digitally scanned all 1,186 surviving pieces of
the Plan and constructed a range of computer programmes which use
algorithms to try to fit the pieces together.
Helping them in their detective work are a set of clues embedded
within the pieces - the shape of the broken edges, the colour and veining
of the marble, the carvings of the map itself and also a series of holes
on the reverse of the pieces, where the slabs were fixed to the wall by
evenly-spaced metal pins.
It is an intriguing cocktail of three-dimensional clues - but the
rewards are equally intoxicating.
"We used all the clues to no success for the first two-three years,
then we started to get the first computer matches," says Stanford's
Professor Marc Levoy. "But when we verified them in Rome it was just
amazing to physically touch the real pieces."
Hi-tech success
In the past year, the project has found as many matches as scholars
have found in the past twenty years.
And in the last few weeks they have completed 3-D models for all the
existing fragments: a monumental achievement and a major leap forward to
reconstructing the forgotten landscape of ancient Rome.
Laser scanning helps to piece the fragments together
Rich and poor, traders and bureaucrats, slaves and the free often
lived cheek-by-jowl in the most multicultural and vibrant city of its age.
Its reconstruction after almost 2,000 years is a possibility that
excites Professor Andrew Wallis Hadrill, director of the British School in
Rome.
"Rome has always been a very cosmopolitan place and you can see this
in the detail of the Forma Urbis: there's simply nowhere else like it.
"It was the first duty of the emperor to know who was in his city,
where they lived, and how on earth to feed them to keep them from rioting.
So this map is a symbolical statement in both size and magnificence. It
says: 'we know you in detail, we know every street, every doorway'. What a
wonderful way to display knowledge! It's saying, 'This is our city - look
at it! Wow!'"
The map is also invaluable for revealing the hidden side of Rome which
never stood the test of time - the commonplace houses and shops where
ordinary Romans lived their lives.
Although frustratingly it only gives details of the ground floors for
a city that would have had the New York skyline of its day, it is still
the most important topographical work to have survived to modern times.
Now the veil is being drawn back from the real story of Rome - a
buzzing, noisy, often smelly and crowded but living city, beautifully
captured in stone.
The Colosseum: monuments tell only part of Rome's story