The Mabinogion is one of the few coherent collections of Welsh
mythology (from a Northern British root) to come out of Wales.
These were transmitted
through the oral bardic tradition until Merfyn Vrych moved his court from the land of the
Northern Britons (the Gwyr y Gogledd, the Men of the North) to take up the vacant
seat of the Gwyr y Des (the People of the South) in the form of the Kingdom of Gwynedd in or shortly
Many stories and ancestors were brought with him as his credentials, not least
of which was his pedigree (as a direct descendent of Coel Hen, King of
Northern Britain), and it was during the reign of
his son, Rhodri Mawr (the Great) that the large collection of Northern British tales, some
based on legends and half truths, came to be formalised and written down (although the
earliest surviving copies date from the thirteenth century).
Since the death of the last High King, Cadwallon, in 634, Wales
had virtually given up hope of regaining the lost lands of Britain, and had sunk into a
kind of lethargy. It was this formalising of mythology in The Mabinogion, as well
as the new blood in Gwynedd, uniting the country without resorting to warfare, which
brought fresh life to an insular Wales.
Eleven stories are generally comprised under the term Mabinogion since Lady
Charlotte Guest used this title for her translations for The Red Book of Hergest
(dating from circa 1400) and the Hanes Taliesin (circa 1275).
Of these, the first four,
generally spoken of as the 'Four Branches', comprise Pwyll, Branwen, Manawydan and
Math. But there are also some short ones, The Dream of Macsen Wledig and
Llys and Lefelys, the lengthy Kulhwch and Olwen, the briefer Dream
of Rhonabwy and the three later Arthurian romances of the Lady of the Fountain,
Peredur, and Geraint ap Erbin.
The first four are regarded as the Mabinogion proper, and they create a
dreamlike atmosphere which preserves much of the primitive, fascinating world of Celtic
They exemplify the heroic and idealistic world of Celtic literature. Because of the
tendency to marginalise all things Celtic until the nineteen century, the Mabinogion
was not very well known until its translation into English in 1849 when Lady Charlotte
Guest's version appeared. The title was applied to the collected stories by Lady
Charlotte, but was already appended to the first four stories.
The word mabinog refers
to "a student of the bardic class" and mabinogi (pl. mabinogion)
means "a tale belonging to the mabinog's repertoire".
The three-volume edition of The Mabinogion, with a translation into English by
Lady Charlotte Guest, was printed by Llandovery in 1849. The translated version appeared
alone in an edition of 1879. The Welsh text has been printed in a diplomatic edition, The
Red Book of Hergest, by J Rhys and J Gwenogfryn Evans (Oxford, 1887), and Lady
Charlotte's translation was also re-edited with valuable notes by Alfred Nutt (London,