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This new mini series on Channel 4 over the Easter of 1999
was yet another retelling of the Arthurian cycle, but this took a new
angle. It told the story from Merlin's (Sam Neill) point of view. It even
gave him a love interest to hook the less interested viewer - a sweetheart
in the form of Nimue (Isabella Rossellini), who is lost and finally found
again in old age, an appropriate sub-theme for a Celtic tale. In another
take on the main legends, this series put Merlin in the middle of a battle
between the new and the old religions: between Christianity on the one
hand and the ebbing power of the pagan world on the other, represented by
Queen Mab (Miranda Richardson) and the evil, bewitching Morgan le Fay
(Helena Bonham Carter). Although Merlin (half-divine, half-human, and
therefore destined to grow old and die) is born to fight for the old
against the new, he ends up as a guardian of the hope and the power of the
future - fighting against the forces of darkness in the last battle, which
inevitably ends in the death of King Arthur and the casting of Excalibur
back into the lake.
Merlin had gorgeous photography (on location
in Wales and at Pinewood Studios) and some great effects. At times
beautifully postmodern, it occasionally resembled a Dark Age Twin
Peaks, with the Lady of the Lake's weird sister Mab lisping and
croaking on behalf of the dark powers, which whiz around her like
fireflies. Merlin as the central character appears to work as well as
Arthur, even though the medieval bards who began to popularise the legends
often had a better idea of what audiences like than modern scriptwriters -
and they thought Arthur's love life was more interesting than Merlin's.
Despite that, all fans of the myth could find something to please in Merlin
and, certainly, this two-part drama was great fun. It's one of those
stories that can always bear a retelling, and in which every retelling
adds something new to the way it is seen. This was one such retelling, and
its broadcast was preceded by a short behind-the-scenes programme. This
happily revealed Merlin's final scene before anyone had a chance
to look away.
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Teleplay by: David Stevens and
Peter Barnes
Story by: Edward Khmara
Executive Producer: Robert Halmi
Producer: Dyson Lovell
Director: Steve Barron
Legend Advisor: Loren Boothby
Music by: Trevor Jones and the London
Symphony Orchestra
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An RHI Entertainment/ Hallmark Entertainment
Production
2 colour 91-minute episodes
4th - 5th April 1999
(Channel 4)
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